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"I am so glad you are poor," says Mona. "If you were rich or even well off, I should never consent,—never!",She is still wondering vaguely who he can be, when he breaks the silence.,"But why?" persists he.,It is a lovely old castle, ancient and timeworn, with turrets rising in unexpected places, and walls covered with drooping ivy, and gables dark with age.,"I shall feel regret," says, Mona, brokenly, the tears running down her cheeks.,He comes to her and looks over her shoulder at the paper she holds. In an ugly unformed hand the following figures and words are written upon it,—,"I have indeed misunderstood you in many ways." This is unkind, and the emphasis makes it even more so. "Norah, if the butter is finished, you can go and feed the calves." There is a business-like air about her whole manner eminently disheartening to a lover out of court.,He moves as though to take up the pistol again; but Mona is beforehand with him, and, closing her fingers round it, holds it firmly.,"Don't say anything more," says the girl, almost passionately, drawing back from him as though afraid of herself. "Do not. The more you say now, the worse it will be for me by and by, when I have to think. And—and—it is all quite impossible.","I hope she has, poor soul: she will want it," says Geoffrey, feelingly; and then he falls to whistling the "Two Obadiahs" softly, yet with a relish, beneath his breath.,Geoffrey, although in reality deeply impressed by the grandeur of all the surroundings, yet cannot keep his eyes from Mona's face, her pretty attitude, her two mighty defenders. She reminds him in some wise of Una and the lion, though the idea is rather far-fetched; and he hardly dares speak to her, lest he shall break the spell that seems to lie upon her.,"Shut it up tight again, Mona, and let me try to open it." And, Mona having closed the panel again and jumped down off the chair, Doatie takes her place, and, supported by Nicholas, opens and shuts the secret door again and again to her heart's content..